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Joined Oct 2010
512 Posts
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Doesn't switching to these aluminum arms detract from both of those advantages? The other cool thing about the tubes is that it is easy to adjust the vertical location of the camera tray such that the center of the camera's lens is on the center of the roll axis. (I know I'll have to find a drawing or picture to explain what I am talking about.) Anyway - just adding to the conversation. My vote, I think, is still on the tube/clamp idea. |
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Hawaii
Joined Feb 2003
5,326 Posts
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>> Where did you get your square tubes?<<
I believe it was eBay. I also saw them in local hardware stores. They are just the run of the mill square tube. >> I am also wondering how much weight you could save with a carbon fiber weave layup over balsa core? More expensive and complicated, but could be a lighter and stiffer in the plys were set up right.<< That's what I meant by unibody in my first post. It is way more complicated. A lot more expensive plus not adjustable. >>Another question: why do you have the roll pivot point off-center?<< Most camera (NEX 5N, Panasonic GX1 etc.) have their lens off set to one side. The tilt servo on the right side (looking from the front) makes the right side of the gimbal heavier. |
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Hawaii
Joined Feb 2003
5,326 Posts
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>>Hmmm . . . I'm not sure about this. That is, I'm sure the weights you listed are correct and that it is lighter and cheaper. But it seems that the 'magic' of the Cstar (and this) gimbal was the combination of excellent rigidity and also excellent scale ability.<<
I agree until I built both. 1) the aluminum version right now is more rigid. 2) I lost the scalability on the carbon tube version. I could only shrink it so much and I ran out of room to mount the tilt servo. 3) You have scalability with the aluminum tube version also. While I am drilling holes direction on the tube, Rusty is thinking about using bolt on plates for roll and tilt. That is actually a more elegant idea because now you have scalability again by simply using different length square tubes. What happen is that we lose the boom clamps and therefore the weight. >>The other cool thing about the tubes is that it is easy to adjust the vertical location of the camera tray such that the center of the camera's lens is on the center of the roll axis. (I know I'll have to find a drawing or picture to explain what I am talking about.)<< If you use plates without boom clamps you can adjust the center of roll by sliding the roll cage on the back tube. Yes you gain back two plates but they are not that heavy without the blocks. Rusty is trying to eliminate drilling on the aluminum tube by the user. That makes sense because a slightly off center hole will make the gimbal crooked. His plate will have grooves for the square tube to sit in. The plate will be tightened by bolts on the outside. I am trying to convince him to also put holes in the middle. That way the user can assemble the gimbal with bolts on the outside. Then drill holes using the plates as template and putting through bolts. Then the user can choose if he wants to have the side bolts or not. I personally will take them off for less weight. >>Anyway - just adding to the conversation. My vote, I think, is still on the tube/clamp idea.<< I still love the round tube idea. I will keep the gimbal and try it out when my servos show up. |
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Potage, MI
Joined Dec 2003
525 Posts
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I keep looking at gimbals and they are either beyond my budget not very usable. This is something I can build and expect to work well.
I do have a question about aluminum versus carbon. Do the carbon tubes and blocks have any benefit in absorbing or transmitting vibration? I'm looking forward to developments. Thanks, Vince |
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Hawaii
Joined Feb 2003
5,326 Posts
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>>I do have a question about aluminum versus carbon. Do the carbon tubes and blocks have any benefit in absorbing or transmitting vibration?<<
Good point. I can't tell you. However so far from my experiment with Andrey I have found that flexing on the cradle is not a good idea. We have been doing our best to reduce flex. The reason is that flexing actually create these "micro bounces" in the video footage. The Sony Balanced Optic Stabilization when active will take care of these micro bounces. However cameras like the Sony NEX 5N and such will show the micro bounces in the footage. So you really want to keep all the parts as rigid as possible and let the vibration isolators to absorb vibration only. |
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United States, CA, San Diego
Joined Apr 2012
730 Posts
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thanks for the explanation |
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Hawaii
Joined Feb 2003
5,326 Posts
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Lots of ways to skin the cat. It is just a matter of how involved we want to get. This is also the part that intrigues me. I am a hobbyist in my soul. I love to tinker. In the meantime I have to think about what other hobbyists can do. What kinds of tools are available to them. So it is a lot more enjoyable to share with others that can actually make a simpler gimbal that can have good performance over a highly specialized gimbal only for the people that can afford it. |
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